Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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CARACCIOLO, Giovanni Battista
Salome with the Head of John the Baptist

ID: 28957

CARACCIOLO, Giovanni Battista Salome with the Head of John the Baptist
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CARACCIOLO, Giovanni Battista Salome with the Head of John the Baptist


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CARACCIOLO, Giovanni Battista

Italian Baroque Era Painter, ca.1578-1635 Italian painter. He was one of the greatest Caravaggesque painters and the founder of Neapolitan Caravaggism. His Liberation of St Peter (c. 1615; Naples, Pio Monte della Misericordia; ) and Christ Washing the Feet of the Disciples (1622; Naples, Certosa di S Martino; see fig. 2 below) are masterpieces of 17th-century Neapolitan art, and attain a powerful and tragic grandeur.   Related Paintings of CARACCIOLO, Giovanni Battista :. | The Rest on the Flight into Egypt | Christ and Caiaphas | Lamentation of Adam and Eve on the Dead Abel | Liberation of St Peter | The Young Saint John in the Wilderness |
Related Artists:
ASSERETO, Gioachino
Italian painter, Genoese school (b. 1600, Genova, d. 1649, Genova)
Henry Clarence Whaite,RWS
1828-1912
Francis Hayman
English Painter, 1708-1776,English painter and illustrator. He was in London at the age of 10, and from 1718 until c. 1725 he was apprenticed to Robert Brown (d 1753), a decorative painter. From 1732 Hayman was employed as a scene painter at Goodman's Fields Theatre, where he painted allegorical works such as The King Attended by Peace, with Liberty and Justice Trampling on Tyranny and Oppression on the pit ceiling (destr.). He moved to Drury Lane Theatre in 1736, shortly before the Licensing Act closed Goodman's Fields. At Drury Lane he painted scenery for Thomas Arne's masque The Fall of Phaeton (1736) and was praised for his naturalistic landscapes. From the late 1730s he began accepting commissions for portraits and conversation pieces. His success in the field of portraiture rested on the dearth of good portrait painters in England at the time and his exploitation of a growing middle-class clientele. Hayman painted portraits of doctors, literary men and actors.






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